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After Life (1998) |
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From the talented cast (featuring Ping-Pong's ARATA and the ever-impressive Susumu Terajima), to the exquisitely measured pace there is nothing at fault with Kore'eda's film. Very few films can claim to be life-affecting, but After Life is one of those rarities. Without ever preaching, Kore'eda eschews the beauty of life while urging us to take in stock each and every moment, no matter how small, so we can realize just how wonderful life can be. |
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It is very difficult to pin-point just what it is about After Life that
is so magical, but if pressed, one could remark upon the attention to
detail that Kore'eda invests in each character, in each memory and within
the often heartbreaking events that have befallen them. Relationships
between clients and workers are examined subtly, through simple gestures
and words, nothing is forced, everything is just - felt. |
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Rather than entertain us with hyper-active
thrills and spills Kore'eda reminds us of the simple joys of human
existence, and with such beautiful touches as the girl in the red dress,
the onigiri in the woods, to the school ride on the tram - these memories
open up our own reflections of nostalgia. After Life is a film that
embraces you and urges you to reflect upon your life, the good and the
bad, the happy and the sad.
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Hana yori mo naho |
Maborosi |
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(c) copyright
2001 -
2008 g.h.evans |