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Battle Royale(2002) |
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It's fair
to say that when Battle Royale arrived on UK soil that it had brought
with it a considerable amount of baggage, in post-Columbine America it
was never released. And so, with all the bad publicity surrounding it
- it was inevitable that it would attract a huge crowd. But few could
have expected the film to have been as good as it was. For those uninitiated
there must have been expectations of just another gorefest, for those
of us with a hindsight into both the storyline and the cast and crew involved
- expectations were at boiling point. I was in the latter camp - waiting
patiently for its release, my own imagination spiraling out of control
from just a few screen shots and a brief synopsis. |
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I have always
been impressed with Battle Royale - it is technically a very good film,
it does address the issues of social problems, and miscommunication but
there are, as with all films, those few niggling errors that rear their
ugly head to be seen above the successes of the film. The opening thirty
minutes in which our leads are established, and the plot for the remainder
of the film is defined, is a great example for Fukasaku's sure-handed
direction. Striking the perfect balance between realism and surrealism,
the events that unfold are both believable and outrageous. A perfect example
is the moment where Kitano hurls that knife across the room. It's a ridiculous
scene : "I said no whispering!". But it manages to eschew feelings
of fear, intensity, and seriousness while at the same time being possibly
one of the funniest scenes in the film. This is where Battle Royale shines
- in it's ability to encapsulate a multitude of different atmospheres
and reactions all contained within one event. |
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Where it
fails however, is in it's repetitious nature once the tide has fallen
and Fukasaku realizes that he has over 40 students to kill off before
he can reach his climax. This is the biggest fault in Battle Royale. There
are stand out scenes which help to prevent the boredom from seeping in
(most notably the lighthouse scene, and the human grenade) but there is
still that feeling, once these incredible set pieces come to a close that
you will have to sift through a number of mediocre take-it-or-leave-it
scenes before you come to another gem. |
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Somewhere
amidst the chaotic savage violence, teen melodrama, and black comedy Fukasaku
gets lost - the fact is that with a cast of 40 children, characterization
has to go out the window. The fact that Kitano's character presents the
most intriguing of the film, is no surprise as the children effectively
act as fodder to the spectacle of it all. You have your good guys and
you have your bad guys, in the directors cut there is an interesting side
story to add more weight to the seemingly psychotic bad girl Mistuko,
but outside of this ambiguity, the characters are pretty clear cut and
easy to categorize. |
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(c) copyright
2001 -
2008 g.h.evans |