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9 Souls
(2003) |
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After brutally murdering his father, Michiru (Ryuhei Matsuda) is sentanced to 14 years in prison. No sooner is he introduced to his 9 inmates in a crowded prison cell that one of them Shiratori (a professional escapist played by Blue Spring actor Mame Yamada) follows the path of an intruding mouse to lead both he and his inmates free, on the run together a band of convicts in search of their past wrongs to make right what could not be done behind bars. What follows is a journey of redemption, re-discovery and understanding. |
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With 9 SOULS however, Toshiaki Toyoda has produced a truly stunning movie. Simple as that - after what is admittedly a rather conventional "escaped convicts on the run" opening, the film finds its pace and effortlessly glides through each character in what amounts to an emotional exploration of these criminals not as the prisoners/menaces to society as they are presented by the media but as human beings who for all their flaws are still part of our world. |
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It's an
astounding achievement and feels light years ahead of his previous work
with Toyoda showing great maturity in the handling of it's subject matter.
Again the signature style is present (yes there are some moments where
Toyoda's love of music and choreographed poses intrude) however, here
it is used more as an extension of the characters as opposed to just a
stylistic choice. |
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Toyoda simply
pushes all the right buttons adding a rich, multi-faceted texture to the
film. The performances are all excellent with each actor slowly developing
his character throughout - these criminals thrown together get to know
each other as much as we do, and it is that communal feeling that makes
it such a rich film experience. The fact is that all the way through you
get the feeling that you will undoubtedly re-visit this film again and
again discovering a new nuance in each of the performances, or a symbolic
shot that had passed you by. The stature of this film is incredible -
even moreso considering what could have become of its run of the mill
initial premise. But what sets apart Toyoda's film is it's heart and the
amount of compassion he shows for his characters. |
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(c) copyright
2001 -
2008 g.h.evans |